Showing posts with label painter. Show all posts
Showing posts with label painter. Show all posts

Monday, February 18, 2019

British painter Mary Jane Ansell



British painter Mary Jane Ansell paints in oils subdued realism depicting young women in aristocratic settings. These paintings hint at a militarist history that strongly imbues the old British Empire. “The appearance of objects such as a flag, mask, toy soldier, globe, and army uniforms expand the personal scope of the paintings into a wider narrative, providing an interesting link to themes of history, war, and patriotism.” (Zhang). The predominately soft colors used are in stark contrast to the bold red, blue and gold used to define the military history invoked. The young women in finery (feminine) clashes with the military regalia worn by the women (masculine) in a visual culture of soft idealism conflicting with hard realism.

New Enchanting Oil Painting Portraits by Mary Jane Ansell 






Saturday, July 7, 2018

Judith Peck – Artist…Painter…Sculptor


“Judith Peck has made it her life’s work to paint about history and healing.” Judith Peck

Judith Peck enjoys the struggle of creation. As a sculptor and a painter she went from art school to college professor and her studio work in-between. Although she has retired from Ramapo College she has not retired from art. Her earlier sculpture work includes One Man in Memory of Six Million - bronze and a recent painting Insight – oil and plaster on board.

She has taught sculpture and painting at Ramapo College which included mixed media work. One painting that may fall partially under the mixed media label is Jus In Bello – oil and plaster with ball bearings. She does embellish her paintings, “I paint with oils mostly on board often imbedded with gessoed plaster shards.” Another sculpture which is mixed media is Outsourced - wood, found objects. She has also put her expertise into a college textbook, Sculpture As Experience, which was written as a step by step series of lesson plans.

Peck was motivated by A Theory of Justice by the philosopher John Rawlings to use a legal concept and transform it into commanding paintings making it her life’s work to paint about the history and healing of social injustice. Peck said, “The goal is to have the viewer become the philosopher.” When painting she takes the chosen colors and applies layers of glaze to create a luminous vibrancy. She paints her models to have an inner glow separate from the background. She aims to generate a charisma that can be seen in the figure. She wants the viewer to become the philosopher and emphasize with the figure.